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Les Miserables

Les MiserablesReel Rating: 4 out of 5 Reels
MPAA Rating: PG-13 for suggestive and sexual material, violence and thematic elements
Released in Theaters: Dec. 25, 2012
Genre: Drama, Musical, Romance, Based on a Book
Runtime: 157 minutes
Directed by: Tom Hooper
Cast: Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Sacha Baron Cohen, Helena Bonham Carter, Eddie Redmayne, Samantha Barks, Isabelle Allen
Official Site: Les Misérables

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Read all of our Les Miserables coverage on Reel Life With Jane

I must preface this review by saying that I’ve never seen any of the stage productions of Les Miserables nor read the classic novel by Victor Hugo on which the story is based (I know – a travesty, right?). So this review might get me booted off the Internet because I have no connection to any of the previous versions of the story.

Honestly, I was a little bored with the movie. That may be because I saw it at the end of a long Christmas Day and was tired to begin with. Or it might be because there’s only a handful of spoken lines, and the rest is all singing. And now that I’ve watched clips from some of the stage productions, as well as the 25th Anniversary Concert, it’s safe to say the vocals in the film don’t come close to the vocals in those previous versions, with the possible exception of Samantha Barks, who played the role of Eponine in the West End production and 25th Anniversary Concert, winning the film role over Taylor Swift and other big-name stars. She’s definitely a highlight of the movie for me.

Set in the gritty landscape of 1800s France, the story centers on Jean Valjean (Hugh Jackman), a fugitive who’s wanted for breaking parole after serving 19 years for stealing a loaf of bread and then trying to escape. The brutal Inspector Javert (Russell Crowe) is relentless in his pursuit of Valjean, even though it’s been years since he left prison.

Meanwhile, Valjean has dedicated himself to helping others, and finds himself caring for Cosette (Isabelle Allen as a child; Amanda Seyfried as an adult), the daughter of doomed factory worker Fantine (Anne Hathaway), who loses her job and turns to prostitution to help support Cosette, who’s been in the care of greedy innkeepers Thenardier (Sacha Baron Cohen) and Madame Thenardier (Helena Bonham Carter).

Les Miserables

After Fantine’s death, Valjean and Cosette live in secrecy, but are soon caught up in the June Rebellion of 1832 in Paris. With Javert hot on his trail again, Valjean must decide whether to continue running or take a stand. Meanwhile, Cosette has fallen for Marius (Eddie Redmayne), a young revolutionary who organizes the citizens to fight. Blinded by his love for Cosette, Marius doesn’t realize that Eponine has fallen for him.

Les Miserables is doing really well in the awards department this season, scoring nominations from the Screen Actors Guild, Golden Globes, and many others. It’s already won Movie of the Year from the American Film Institute and Best Acting by an Ensemble from the National Board of Review. Suffice to say, it’s a shoo-in for multiple Oscar nominations, to be announced Jan. 10, 2013.

Even though I wouldn’t have minded a few more spoken lines mixed in with the songs, I can’t deny that  Les Miserables is an epic, majestic film adaptation, blending equal parts politics, poverty, class struggles, faith, forgiveness and redemption. It’s truly a timeless story that’s just as relevant today as when Victor Hugo’s book was published in 1862.

As mentioned, Samantha Barks gets my votes for best vocals, with Eddie Redmayne a close second. Hugh Jackman, Anne Hathaway and Amanda Seyfried turn in great performances with respectable vocals, and Bonham Carter and Cohen are a nice comedic break in the drama.

Director Tom Hooper had the actors sing live as the cameras rolled, which wonderfully captures the emotions of the characters in the moment. Hathaway’s heartbreaking version of “I Dreamed a Dream” is a nice centerpiece to the film, especially if the only version you’ve ever heard is Susan Boyle’s on Britain’s Got Talent in 2009 (which was also amazing, by the way). However, after hearing some of the majestic vocals of the previous men who’ve played Javert, Crowe’s vocals don’t even come close, though I do give him a LOT of credit for trying.

Les Miserables on the big screen should not be missed, especially if seeing the live stage production isn’t an option. While the constant stream of songs from start to finish might be a little heavy if you’re not an avid fan of musicals, you don’t need to be familiar with the story to find something to love about it.

PARENT DETAILS:

Sex/Nudity: References to prostitution, whores and brothels, including one scene with a prostitute being used by a client. Her skirt is up and he’s on top of her, but nothing revealing. Plenty of cleavage throughout the movie. and suggestive lyrics like “thinks he’s quite a lover, but there’s not much there” and “ready for a quick one or a thick one in the park.”

Violence/Gore: Much of the second half of the film is centered on the June Rebellion, a Paris uprising in 1832, and battle scenes include explosions, cannons, hand-to-hand combat, beatings, and  gunfights, with a high body count, including some children. Not much blood overall, though one scene shows blood running down a cobblestone road. A major character leaps from a bridge to his death. A woman becomes a prostitute to support her child, who’s treated badly by the innkeepers who are raising her.

Profanity: “B*tch,” “ass,” “bastard,” and one “sh*t.” Nearly all the dialogue is sung, and some songs have references to whores and prostitutes.

Drugs/Alcohol: One scene includes drunken patrons at an inn. A few scenes feature people drinking wine.

JANE’S REEL RATING SYSTEM:
One Reel – Even the Force can’t save it.
Two Reels – Coulda been a contender
Three Reels – Something to talk about.
Four Reels – You want the truth? Great flick!
Five Reels – Wow! The stuff dreams are made of.

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6 COMMENTS

  1. I saw – and loved – the live stage version twice. It is one of my favorite musicals. But…the movie disappointed. I thought I’d appreciate that the actors did not lip sync, but I must say that the sound was “tinny” and not in keeping with the grand scope of the scenery, the actors, the costumes and above all, the dramatic story. On the other hand, the music and story is so beautiful and moving and still resonates despite my criticism.

  2. I haven’t seen the movie yet, but it looks like a Hollywoodish idea of production–stuff it with big names and people will buy tickets.  I’m sure it is beautiful to look at, but as one who does love music, and classical literature, I’m not sure this is the best approach.

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